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This was the first in a series of large-scale installations, sculptures and 2D works made with discarded whether human society is implicitly dominated by the A-side of economics and science, and asks whether culture , as a way to express her alarm at the development of industrial civilization, and to highlight the cultural of ordinary objects, the artist sparks new discourses on contemporary issues, such as political and cultural Artleague, Houston Texas 2009 B-side Ecology Hong Foundation, Taipei Taiwan 2008 Publications : 50 Women Sculptors

The installation included intermitant performances where Stockwell, dressed in one of the blue work shirts

Rubber Works 1990's 1991 Rubber inner-tube insallation and sculptures. recycled rubber inner-tubes were cut, woven, sewn, hung, bound and gathered to form huge installations and sculptures Other works in this series include sculptures & drawings Exhibitions: Material Accomplices Finesilver

The exhibition Cinderella at the De La Warr Pavillion, Bexhill-on-Sea, 1997/8 & Wooden sculptures made at Yorkshire Sculpture Park 1990 1/1 < Previous Work Next Work >

50 Women Sculptors 2020 https://www.aurorametro.com/product/50-women-sculptors/

Flores Lannoo 2024 The Seas and the Mobility of Islamic Art Yale University Press. 2021. Tracing the currents of change that unite the visual and material culture of the Islamic world across Nowhere is this dual role more evident than within the visual and material cultures of the Islamic world The Limit We Need to Talk About Migration by Varvara Shavrova (p.272-293) Susan Stockwell's Territory Dress

2020 Publications: Creative Compass Royal Geographic Society & INIVA 2010 Susan Stockwell: Economy, Dresses

at 1 Canada Square 2008 First Cut Manchester Art Gallery & Platt Hall, Manchester UK Publications: Sculpture

As well as large sculptural pieces the first incarnation of Flood was made here, later developed on a Vulnerable Ecologies Art League, Houston Texas USA 2009 B-side Ecology The Hong Foundation for Arts ad Culture

Susan's work at Warrington Museum and Art Gallery supported by Arts&Heritage Meeting Point Projects & Culture Susan's sculptures are made with specially sourced industrial and consumer objects, which she juxtaposed

The computer components are transformed into a sculpture that highlights the material's beauty. commodity’ materials because they contain 'Stains of Existence' and act as ready-made signifiers, which she sculpts

"The computer components are transformed into a sculpture that highlights the materials beauty. because in her words they contain Stains of Existence and act as ready-made signifiers which she can sculpt Look more closely, and one is confronted by a cultural urgency of global-proportions. Political and cultural colonization, globalize waste and consumption are reconfigured by Stockwell’s the text for the exhibition B-side Ecology at MIMI Space , the Hong's Foundation for Education and Culture

Here she moulds the paper into elegant block sculptures.

Sweet Plums Patrick Heide Contemporary Art 2015 Shape and Form Royal Overseas League & Royal Society of Sculptors

My teaching experience includes leading a sculpture department, running workshops, modules, seminars, With specialisms in sculpture installation, drawing and collage I've also taught fine-art film making spaces and museums • Developing artist led shows, social media engagement, promoting events in the press Through her projects, Stockwell and the co-creators confront ideas of cultural institutions’ hegemony in the socio-cultural narrative to provide novel and diverse perspectives.

Artleague Houston 2009 B-side Ecology Hong Foundation, Taipei, Taiwan 2008 Publications : 50 Women Sculptors

Artist Tackling the Long Dark Shadow of Colonialism Elephant Magazine by Paul Carey-Kent 2019 50 Women Sculptors